23 Jan 2014

George Melies and Early Special Effects

George Melies and Early Special Effects


Georges Méliès was born 8 December 1861 and died 21 January 1938), his full name is Marie-Georges-Jean Méliès, was a French illusionist and filmmaker famous for leading many technical and narrative developments in the earliest days of cinema. Méliès, a prolific innovator in the use of special effects, accidentally discovered the substitution stop trick in 1896, and was one of the first filmmakers to usemultiple exposurestime-lapse photographydissolves, and hand-painted color in his work. Because of his ability to seemingly manipulate and transform reality through cinematography, Méliès is sometimes referred to as the first "Cinemagician". Two of his best-known films are A Trip to the Moon (1902) and The Impossible Voyage (1904). Both stories involve strange, surreal voyages, somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. Méliès was also an early pioneer of horror cinema, which can be traced back to his Le Manoir du diable (1896).

In the Autumn of 1896, an event occurred which has since passed into film folklore and changed the way Méliès looked at filmmaking. Whilst filming a simple street scene, Méliès camera jammed and it took him a few seconds to rectify the problem. Thinking no more about the incident, Méliès processed the film and was struck by the effect such a incident had on the scene - objects suddenly appeared, disappeared or were transformed into other objects.

In 1900 Méliès had made 33 films, including the 13 minute Joan of Arc, starring Bleuette Bernon in the title role. He also made The One-Man Band, in which Méliès continued to fine tune his special effects by multiplying himself on camera to create a seven piece one man band. 

Méliès discovered from this incident that cinema had the capacity for manipulating and distorting time and space. He expanded upon his initial ideas and devised some complex special effects.
He pioneered the first double exposure (La caverne Maudite, 1898), the first split screen with performers acting opposite themselves (Un Homme de tete, 1898), and the first dissolve (Cendrillon, 1899).

Méliès tackled a wide range of subjects as well as the fantasy films usually associated with him, including advertising films and serious dramas. He was also one of the first filmmakers to present nudity on screen with “Apres le Bal”.

Faced with a shrinking market once the novelty of his films began to wear off, Méliès abandoned film production in 1912. In 1915 he was forced to turn his innovative studio into a Variety Theatre and resumed his pre-film career as a Showman.

In 1923 he was declared bankrupt and his beloved Theatre Robert Houdin was demolished. Méliès almost disappeared into obscurity until the late 1920’s when his substantial contribution to cinema was recognised by the French and he was presented with the Legion of Honour and given a rent free apartment where he spent the remaining years of his life.

Georges Méliès died in 1938 after making over five hundred films in total - financing, directing, photographing and starring in nearly every one.

A Trip to the Moon is a 1902 French silent film directed by Georges Méliès. Inspired by a wide variety of sources, it follows a group of astronomers who travel to the Moon in a cannon-propelled spaceship, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return in a splashdown to Earth with a captive Selenite in tow.

An internationally popular success at the time of its release, it is the best-known of the hundreds of films made by Méliès, and the moment in which the spaceship lands in the Moon's eye remains one of the most iconic images in the history of cinema. Each strip of film had been painted to give colour to such things as the dressed, the setting, the spaceship, etc. ( http://www.youtube.com/watch?v=7JDaOOw0MEE )


List of films: 

  • Own Melies inspired video as created in class by yin similar techniques and ideas to create a short film. ( http://www.youtube.com/watch?v=0APOREMLt_A )
  • "The Spider and the Butterfly" - http://www.youtube.com/watch?v=m89pDxu_pXc

Lumiere Brothers & The Cinematographe

Lumiere Brothers & the Cinematographe


The Lumière brothers were born in BesançonFrance, in 1862 and 1864, and moved to Lyon in 1870, where both attended La Martiniere, the largest technical school in Lyon. Their father, Claude-Antoine Lumière (1840–1911), ran a photographic firm and both brothers worked for him: Louis as a physicist and Auguste as a manager. Louis had made some improvements to the still-photograph process, the most notable being the dry-plate process, which was a major step towards moving images.

It was not until their father retired in 1892 that the brothers began to create moving pictures. They patented a number of significant processes leading up to their film camera, most notably film perforations (originally implemented by Emile Reynaud) as a means of advancing the film through the camera and projector. The original cinématographe had been patented by Léon Guillaume Bouly on 12 February 1892. The brothers patented their own version on 13 February 1895. The first footage ever to be recorded using it was recorded on March 19, 1895. This first film shows workers leaving the Lumière factory.

The Lumières held their first private screening of projected motion pictures in 1895. Their first public screening of films at which admission was charged was held on December 28, 1895, at Salon Indien du Grand Café in Paris. This history-making presentation featured ten short films, including their first film,Sortie des Usines Lumière à Lyon (Workers Leaving the Lumière Factory). Each film is 17 meters long, which, when hand cranked through a projector, runs approximately 50 seconds.

The world's first film poster, for 1895's L'Arroseur arrosé
It is believed their first film was actually recorded that same year (1895) with Léon Bouly's cinématographedevice, which was patented the previous year. The cinématographe — a three-in-one device that could record, develop, and project motion pictures — was further developed by the Lumières.

On February 13, 1895, the Lumiere brothers patented their Cinematographe, which was a combination of the camera and projector.  The Cinematographe was hand-cranked, lighter, and smaller than the Kinetoscope, and played film at a slower speed, 16 frames per second, while the Kinetoscope played at 48 frames per second, but created a lot of noise and used more film.  Another benefit of the Cinematographe was that it played actual films, while the Kinetoscope played photographs in rapid succession.  One of the first films the Lumiere brothers made shows workers leaving their factory.  Click "Oldest Surviving Footage" to see this film as well as others by the Lumiere brothers.  The first public showing of the Cinematographe was on December 28, 1895, and in 1896, Cinematographe theaters were built in Belgium, London, New York and Brussels.  The Lumiere brothers also created the Autochrome plate in 1907, which was the first color photography process.  At first, Auguste and Louis had doubted the success of their invention.  As Louis Lumiere once said, "The cinema is an invention without a future."  This statement has become one of irony, as cinema is now a huge success worldwide. 


  • Own Lumiere Brothers inspired film -  "Girl Eating Sandwich" - http://www.youtube.com/watch?v=2lzN1hGEiSM 

  • First Lumiere Brothers film - "The Factory" - http://www.youtube.com/watch?v=VDnppCDhI9U

  • "Baby's Lunch" - http://www.youtube.com/watch?v=OgGCAskh98E

  • "Arrival of Train" - http://www.youtube.com/watch?v=1dgLEDdFddk

  • "Waterer Watered" - http://www.youtube.com/watch?v=yOZPgx0_E54